“The reason one writes isn’t the fact she wants to say something. She writes because she has something to say.” -F. Scott Fitzgerald
Monthly Archives: July 2011
For: You
We walk through the heat at midnight
He makes a fist with his hand when I try and hold it
Says he likes his hands free
Crescent moon
Pizza slices
He folds his over,
Then bites
The blocks of cement we pass
And like a gymnast on the beam, I tiptoe across
A black open gate with gold spikes
Someone’s red lace up shoes and a stained blanket
We pretend someone enters the gate
He closes it after them
I-open it up again
A shadow on my wall of me and his basil plant that sits on
the window’s ledge
He points it out
And in the film section of the bookstore
James Dean photographs
He’s doing ballet
We both wear our glasses
Blowing smoke outside the door
We move outside and forget about the spider
With the spotted legs that later we’ll photograph
In the morning we’re both bit
I check outside
Spiders in the same spot
*****
Rain now and extra blankets
Clean and laundered fresh
On the outside porch of the Coffee shop
Books
We read each other
For a long while
And browse the antique store with all the keys and cameras
And other people’s lives
And their stories
I dance
And come home to hold your hand and snooze
The spiders gone on vacation
Soon, we too will be in a vast desert
Each others red moon sweat
The books our blankets
Covered in thoughts
One shadow; two us
(The basil plant needs a new pot you say,
A different home-you say you’re learning to love)
*****
And even if the basil plant went brown and all the leaves of
my life crumpled to dust
I would still open the black gates with gold spikes at
midnight
And love the shadow that’s silhouetted in the darkness
The Island
Like unfinished hems
The threads of canopy trees hang
and line the pathway above my head
We walk in silence
I try sour sap berries along the way
I gather medicinal leaves to make a sedative tea
Another fruit, like a potato is supposed to cure sixty-five ailments
Three stray and hungry cats meow for food
A deserted restaurant
A vacant beach
When we get into the water
We come together
We walk in silence back through the path with hanging
threads that stop before they reach the ground
And the potato fruit we cannot reach to take home
The sour sap berries are supposed to taste like lemonade,
but they have seeds and are bitter
Nosium and mosquito bites make mini-constellations on my
left leg
The cats grow irritable
A tourist throws a Pepsi can outside the local taxi driving by
In the Medical Cafeteria
I sit slouched, writing this poem
Watching the dark blue uniformed men and women wondering
what they’ve been up to today
Was it a birth? A bleeding spleen? Maybe a gun shot wound.
But here in the cafeteria you can smell death from their
uniforms
The hand sanitizers and gloves and headpieces and surgical
gloves
And the little girl, the newborn,
stitches down the side of her skull
The wheelchairs and the diabetic
The sickness and sterility
There is madness here in this place of lunch dining
There are flowers in vases on each of the tables
Lilies that wilt and have started to turn from yellow and pink
to brown
The chairs are wooden and uncomfortable
There isn’t much warmth in medicine
My mother-a nurse, my father-a doctor, my boyfriend (at the time)-sells medical tools
They understand each other
Hugs are pats on the back
Kisses are irrelevant
I love you is please and thank you
Things are just like the people here-cold, utilitarian
And the most ugly painting in the world hanging high above
the cafeteria ceiling
It is a canvas of brown and blue, jagged puzzle pieces
The most boring painting in the world
There is no meaning that could come from this
Here is where true hell lies.
One Perfect Night
You said I love you
And the thong hung on the door knob
And smoke clung to the walls
I held the light in the right place
For the photograph
You said I love you
There were peppers and sauce
And as much as I tried to cook, it wasn’t right
And then you said do you know that I love you?
We danced
The room like a refrigerator
You say it’s more of a summer house
But I can’t feel the cold
I’m sweating and dancing and loving you back
It’s more of a hazy dream
With you and with me
All the words in the world would fail to describe
When I look in your eyes and know
That it’s not just me, or you, but we
And that perfect night we love forever
2/15/11
We brush our teeth outside the truck
Mini mountains of toothpaste foam soak in the grass
Strolling through the park we reach concrete and city houses
Etched names in the concrete
You show me yours next to the coffee shop
We have some quarters to share a cup
Down the streets we roam
And find the place we first kissed
Up against the wall
I was in a penguin suit
You didn’t dress up that year
We see the Cherry Blossom petals float off into the wind like a first snow
A strange dog in a Jesus van with bibles and crosses
A man with brown teeth who asks if we’re engaged
There are flowers blooming in the night
And sayings on the bathroom walls
And you carry a burning incense stick around with us
Musicians sing to you and me and play the harmonica, drums, and guitar all at once
And all at once we wake up in the back of the truck and you open the side hatch
And it is our window at dawn so we can see the Oaks and elms and redwoods
The light shines through and side by side we laugh, we lie, we scream, we fly
And you that morning, behind the camera, shooting me-the one eye I could see
Told me all at once I love you
And once, I loved you too.
July 25, 2011
“Keep away from people who try to belittle your ambitions. Small people always do that, but the really great make you feel that you, too, can become great.” -Mark Twain
July 21, 2011
“There are four questions of value in life…What is sacred? Of what is the spirit made? What is worth living for, and what is worth dying for? The answer to each is the same. Only love.” -Johnny Depp
Lost
Outside the window, children’s laughter
Bright sunshine melting the ice in my mother’s sweet tea
Yellow roses, orange dahlias, giant honeysuckle climbing up the wall
Bloom, bloom
immobile indoors
sluggish Sunday
When I lost you, I lost me.
Attitudes at the USC Music Department
The atmosphere is filled with anxiety. They are waiting for the recital. The finale. The perfect piece. And I sit here waiting as if I too am soon going to perform. Their fingers are tapping and they move their hands in little circular motions as well as their feet. It’s always about getting better-not really realizing the talent they already possess. I hear, “If I get a B in this class it’s like getting shot in the foot and then having to run a race.” Also, “It was a chicken hunt to get here.” There are sounds of piano, violin. I wish they would open the doors. People walk with their brains slightly forward. The brain leads the step. Music vibrates from the building to the concrete outside, underneath the bench I’ve sat on. A dandelion has pushed through the concrete. It’s lovely. There is a well respected Asian waiting for her turn to go inside. Her hair is pulled back in a tight ponytail and she has shiny silver shoes on. Teachers pass by and say refined hellos to her. Abruptly, she is called into the building, and a man sits beside me. Perhaps a teacher. His gray hair dances outside of his large oblong head. And he reads material. Perhaps music theory. He carries a smell of old closets and mothballs. Up he goes. He walks away with a giant duffel bag. Maybe people have to pretend they’re on vacation here. Maybe he had a lot to carry.
Beneath the Blue
I saw you underneath veiny ropes
and twisted nets
in the summer of 99.
Where old sea ships lie
Myths of mermaids
A black shoe
No, breaching acrobat, you were lobtailing.
You were logging.
I remember you now.
My feet are in the sand.
I hear you Monday, Sunday
Your sea songs at first I thought laughter
Now I know your eerie high-pitched tune
You lost your daughter
Twisted nets
Veiny ropes
I’ll come in. I’ll come in again.
I want to hold your dorsal fin
and ride beneath the wind.
Open House
Next to the hillside of lilies
And meadow of dawn
lies our blue vacant house.
How I want to go inside and sleep,
sprawled,
Next to you
on yellow carpet.
I peer over the broken fence
walk along its edges.
You stand on the oak patio smoking,
English accents
“Darling do you mind if I smoke this joint?”
“On our patio? Darling, why of course.”
We tiptoe to the roof with
white eyelashes
and sloshing blue feet.
We dance,
naked,
underneath red falling sky.
Gill
Two tangerine fins
One larger than the other
I looked through the glass and made faces.
I made googly crossed eyes.
My fish was a woman.
She was deserted sand caves of silence.
Her tail fell off
Slowly deteriorating
(I didn’t clean the water.
I didn’t wash the bowl.
She turned to grains and I felt the grains against my toes.
I felt the grains of lost fish food in my hands.)
Flipping over and over again
She used to dance
A permanent stretched smile like a long winding highway
One too many has been hooked
But old age was the face of chomped fish food salad for Gill
One two three
Flush, flushed.
Or was it dinner?
Crunching sweetness, salutations over, adios amiga.
July 18, 2011
“Perhaps some day I’ll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow.” -Sylvia Plath
